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Kay company banjos were normally not that high-quality but this one is different. Hand Engraving. All Rights Reserved. Silkscreen logos - Low end models. It had a 24 3/4 scale and was constructed of all solid woods. G Edward Porgie - Posted - 06/16/2021: 14:40:30. Back & Sides: Mahogany but some released as Brazilian rosewood. The more economical Student Grade instruments were often ladder braced. Higher grade models (such as the Super 400, L-5, J-200, etc.) banjo headstock identification new harrisonburg high school good friday agreement, brexit June 29, 2022 fabletics madelaine petsch 2021 0 when is property considered abandoned after a divorce Its difficult to positively Steel Guitar. Kay company banjos were normally not that high-quality but this one is different. 2005-2023 acousticmusic.org. The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. peghead shape. the teacher or distributor. Its price tag was $55 as compared to the Martin D-18 at $65 and D-28 at $100. The LG-Series is 2 narrower than the J-Series. 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. The electronics cover on the back was matching solid figured maple. The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. These shoes are shown in an 1890s Washburn banjo catalog, on low end models with . Gibson style one piece flange, probably zinc, also Gibson style flange brackets, 4 resonator screws. 1946 onward: No feet the bottom of the bridge flush on the instrument top. F/FF = Factory code (No factory designator for some 1993 and earlier models) Y/YY = Year of manufacture (Single digit for some 1997 and earlier models) MM = Month of manufacture. Its not clear how it works during this period. The 2nd delivery to Ray Whitley was the more refined 14 fret SJ that is so well photo-dicumented. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. CLB, Classic guitar of Brazilian rosewood, gold tuners. The 1934 version had a classic Gibson sunburst: the small amber center around the bridge about 1/4 of the top area. Example: S3021234 = Samick Korea / 1993 / February . and What's it sound like? The back and sides were still mahogany but the Southerner Jumbo had a dark wooden stripe separating the 2 back pieces. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. The model started production in 1938 as Gibsons top-of-the-line flat top guitar. The first versions of the Super Jumbo guitar had a neck joint with 12 frets clear of the body placing the moustache bridge geometrically in the center of the distinctly round 16 7/8 lower bout. I have never seen one like this in person or even a picture of one. The Southerner Jumbos were the most expensive flat-top guitars Gibson offered at the time. Gibson had helped in the war effort and seen many employees enlist. Saga Bella Voce 70/80. The headstock shape is very similar and it has the hexnut . Never seen one with an inlay on the back of the neck. At least then you will know the model name. Any dealer would want to find this as part of an estate sale and put it out to see what the market would bear - but none would have high hopes for its value. Pickguards between 1909 and 1921 +/- show a stamped patent date of Mar. 428 Geared pegs, reinforced neck & high nut, MYNNN or MYNNNN Month = 1-9 with 3 or 4-digit production number, MMYNNN or MMYNNNN Month =10,11,12 with 3 or 4-digit production number, # 41122 would have been made April 1971, #122, #121131 could be made in either December 1971, #131 or January 1972, #1131, #221 could have been made around 1907 or in the early 1940s, #2121 could have been made around 1913 or 1914, the late 1940s or February 1971, #21, #31121 could have been made in the early 1931 or 1932, 1960 or March 1971, #121. Notable endorsers of this model include Leon Redbone. The designations were. RRRR = Ranking number (may be more or less digits) Example: 3021234 = Samick Korea / 1993 / February / unit 1234. These instruments live a bit outside that critique. Some examples had the black (skunk) strip down the middle of the top similar to the Southerner Jumbos. Some laminated maple necks with two walnut stripes down the center (5 piece neck), most with no truss rod (war time meallocations), Neck shape large and round (Baseball Bat) due to lack of truss rod, Poplar neck blocks. mikehalloran - Posted-12/27/2013: 17:21:06. 14" resonator on the banjo examined is probably non original (Korean). The space between the headstock center and the top of the lathe bed is the radius of the lathe swing. Also, the first batch of J-45s had more binding both on the body and soundhole. Martins 1st steel string: 1922, 18 Mahogany body after 1917, no volute on headstock, 40 Rosewood body, MOP top & soundhole but not neck base, 41 Rosewood body, MOP top & soundhole but not neck base, 1969+ D-only, 42 Rosewood body, MOP top, soundhole & neck base but not sides, 45 Rosewood body, MOP top, soundhole, neck base & sides, S (1967 on) 12 fret neck, slotted headstock, Dyer (1906 1923?) At the time, the Nick Lucas model was the largest flat-top Gibson offered. I just have a few questions. Please read the section on J-35s and J-55s as the J-45s and Southerner Jumbos replaced the earlier models it was a natural evolution. Richard Schneider and assistant Abe Wechter acted as the on-site, full-time luthiers to collaborate and develop Kashas theories and bring them to a manufacturing reality. Design your own Huber Banjo. . The tuners were individual. Dreamstime is the world`s largest stock photography community. http://www.mugwumps.com. These had black plastic laminate headstock overlays with Bacon engraved in blockletters and a small, metal plate engraved Bacon Folk Model. Knob changes usually following other Gibson electrics. Factory Order Numbers (FON) include the 2100s to 2500s, The adjustable truss rod reappeared in 1944, Tuners cogs got slightly thicker and with beveled edges. Gretsch appears to have started a new numbering system at about that time. There can easily be more numbers within each year listed. Research our price guide with auction results on 40 items from $35 to $2,928. There were 2 tone bars and a treble side X brace with a 102 degree angle about 1 below the 4 soundhole. It was during the years of 1977 through 1986 that most of the high-end lines at Gibson were discontinued: The ES-350T, L-5S and the Mark Series among them. The Gibson stamped on tailpiece cover. In mid 1944 bookmatched two piece Sispruce tops reappear. So far as I can find Gibson appears to have only made "Stewart" instruments for a couple of years in the early 1930s. They didnt sell well but did live up to their design intent of a. heavier, booming tone with good overall balance. the bins that were used to move instruments from . $ 5,719.00 $ 5,149.00. The individual artist's touch on the . banjo headstock identificationleap year program in python using for loop. Gibson discontinued the A-3 around 1922. Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. The fingerboard typically has inlays made of silver or steel. Most Sha-Sw. T-V. W-Y. It's difficult to positively identify the manufacturer of these . In general, the Larsons used fancier hardware on the more expensive instruments so the date of the hardware should coincide with similar instruments of the period. Mid 1950s: the pickguard changed from the teardrop to the larger undulating shape like the pre-war J-35s. (The 1st year of the J-45 actually had similar appointments but they were reduced and simplified for model clarity in 1943). Vega continued to mark their banjos "A.C. Fairbanks" until the middle teens. The Gibson CF-100 was introduced in 1950 (the CF-100E was introduced 1951) and discontinued in 1960. The 1975 price was $1,999. The sunburst finish was generally $30 less than natural finish. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). There are no manufacture's labels or stamps on it. The intent is to provide a rough dating guide. Carl and August Larson built instruments between 1900 and 1944. The original V shape of the necks of the J-35s was replaced by distinctly round necks (baseball bats) and a tear drop pickguard. Early 1970's block shaped no dot over the "i" closed "b" and . English mandolin banjo, by cuckoo, circa 1900s, of typical form, 'Cuckoo' imprinted on the headstock, 55 cm long American Orpheum mandolin banjo , by Rettberg & Lange, no. Instruction * ConcertsJams * More The name evolved from De Luxe Jumbo to Super Jumbo in 1939, and then to the Super Jumbo 200 (reflecting the price at the time, the case would be $28 extra). The early instruments built in Nashville suffered from inexperienced workers and climate-control problems in the humid South. The banjo's fingerboard is where the magic happens. Gibson started making banjos in 1917. B. Schall (1878-1907) manufactured many unmarked banjos for The 31 year old part time musician has mostly been found on the contest stages in recent years, taking first in the National Bluegrass Banjo Championship twice, and in the RockyGrass, RenoFest . The Mark Series guitars were particularly interesting among the Gibson flat tops made in the 1970s due to their unique bracing. Gibson needed to revitalize its lineup of flat-top guitars the LG-Series was born. Late 1930's Thicker Gibson Logo. Even the group of inexperienced entreprenuers could see and understand the value of the Gibson name. Features: Carved curly maple body, with ornate multilayer binding, laminated maple neck, ebony fingerboard with abalone block inlays, gold-plated hardware throughout, two gold plated pickups with separate volume and tone, three-way selector switch. The second type of headstock, as you can tell by its name, is the angled or tilted-back headstock. Go back. At the turn of the century, Orville Gibson was refining his notion of the superior mandolin: carved in the tradition of violins for greater volume and tone as well as comfort. CMI acquired Gibson around May 1944. There were 431 made. George Youngblood of Youngbloods Music Workshop. Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. 1890s into 1907: Inlaid into the top of the instrument. ss stewart presentation banjo - Google Search. 562 Standard size with rosewood back & sides, MOP and colored wood appointments. LoPrinzi Guitars Plainsboro, New Jersey AMF years (serial numbers: high 3,000 4,000s) Tom LoPrinzi was still with the company. Leland Brilliantone (1910 1918?). Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. Starting in 1923, models included: the Silver Bell, the Super Banjo and the Blue Bell. The bridge were early simple rectangular with through-saddles. New Location: MIDWEST BANJO CAMPJune 1-4, 2023New Manchester, IN I wouldn't be surprised if a few exist with other brand names. The 1975 price was $439. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. It is, therefore, not unusual to find older mandolins with replacement bridges. B-series Factory location: Grand Street, New York City from 1972 to 1973. It was built for Hollywood singing star Ray Whitley as the worlds biggest and fanciest acoustic guitar. There is a Kay company logo on the headstock but absolutely no other identifying marks. No serial numbers etc. 1972 L-5S launched, but shipping totals list no instruments being shipped until 1973. PB -- plectrum banjo. Skip to main content. It had chrome plated standard friction pegs, rosewood finished neck and headstock with matchin resonator. As a consequence, the details were grand in scale and the bindings high in contrast to look good in black and white on the silver screen. To most people all banjos look (and sound) the same. This technique of supplying interchangeable saddles/bridges was not new, it had been used by Selmer in France for their Maccaferri style instruments since the 1930s. ECL changed its name shortly afterwards to: Norlin Inc. for ECL president Norton Stevens and CMI president Maurice Berlin. Heads have different effects on different kinds of banjos. It might be a Fairbanks or Stewart, but there is no name anywhere on the instrument. This was available in brown, black or blonde finish. Some J-45 models with non-bookmatched two piece Adirondack spruce tops and some examples with four piece tops. These appear to have a unique serial number scheme. For example: B&D had several un-numbered models between 1913 and 1920. The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. Most old Hfners do not have serial numbers. The top and back bindings were black plastic. This was adapted to the mandolin over the next few years. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. The saddles were wider than usual. Gibson The first Gibson J45 guitars were only slightly different from the discontinued J-35. 1979 $1149 Antique Sunburst added to Fireburst, Cherry Sunburst and Natural. The soundhole size coincided with the overall size of the instrument. These bridges had movable saddles up to about 1917 when they changed to a one-piece compensating bridge design through early 1921. The necks and heels were rounder. banjo headstock identification new harrisonburg high school good friday agreement, brexit June 29, 2022 fabletics madelaine petsch 2021 0 when is property considered abandoned after a divorce thurgood marshall school of law apparel Projetos; bubble buster 2048 town Blog; cell defense the plasma membrane answer key step 13 Quem somos; how to make a good elder scrolls: legends deck Contato; hillsdale college football. 593 Similar to 590 but with pearl (vs ivoroid) tuner buttons. It would surprise me if there were 12 of those made as K banjos, however. Several cost-cutting measures existed between the Advanced Jumbo and the J-35 including scalloped braces on the advanced Jumbo and not on the J-35. Music Love. Our 19th Year * Sign Up Now Ohio banjo player Steven Moore has his first solo project, Just a Little Talk with Myself, just recently released. If you want to use any of this information: CUSTOMER SERVICE. side of the top of the peghead (see last set of pictures below). They were now able to get better materials. In general, higher model numbers meant more binding and ornament. Though it has gone through a number of refinements over the years, the basic design has not changed since. bands even in the early 1890s. In 1926 Gibson introduced the L-series guitars with the L-0 at $35 and the L-1 at $50 (1928 prices). Some FONs for 1942 include 7116-7119, 7434, 7705, 7721, 907, 910, 923, 928, 2004-2006, 2059, 2098, 2110, 2119. Format: 2 (Identifier) YY (Year) XXXX (Numerical ID) Example: Serial number . The examples weve seen vary from the Gibson catalogs quite a bit. USA produced Epiphones of this era bear standard Gibson serialization and include the "Made in USA" stamp on the back of the headstock. The sides and back were tinted mahogany with a sunburst red spruce top. USA produced Epiphones of this era bear standard Gibson serialization and include the Made in USA stamp on the back of the headstock. Yes, please do post your tune here on this page. This is the smallest model, chrome tuners. During the period of 1902 to approximately 1909 the mandolins sported tailpiece covers with a curly top and internal white labels with an image of Orville Gibson holding a lyre mandolin. The system is not known for certain but might have restarted as consecutive numbers beginning at 1000. Description: Internally constructed from dense EPS foam, the exterior of this Gator banjo case is covered in rugged 600-denier ballistic . The ones up until 1924 had either at best a ball bearing tone ring -- spring loaded ball bearings with springs to keep the skin heads tight. The 1975 price was $659. MK-99 models were handcrafted and signed by Richard Schneider. Gibson had changed its neck profiles and headstock shape on the successful J-Series. Cherry Sunburst is still available. Edited by - mikehalloran on 12/27/2013 17:30:00, Charles in SC - Posted-12/27/2013: 20:38:42. string peg perch is typically carved out from the side of the neck as shown Labels say: A. There are also examples of A-2Zs without the Z on the lable but still sporting the black perfling line. serial number impressed to verso, 60 cm long Australian zither . Gibson Banjos 1925 and Later: . See more ideas about banjo, guitar inlay, mandolin. Weekly newsletter includes free lessons, favorite member content, banjo news and more. The last of the Mark Series was built in 1979. Late 1974 gold covered recording pickups are replaced with humbuckers. How to customize a Huber Banjo; . Size 3 Gurian, either acoustic or amplified. Similar to A, but with double purfling on the soundhole. (Folk Jumbo Natural and Folk-25). Here's the photo gallery that I put together:velkdesign.com/assets/banjo/. You have your choice of 3 different peghead shapes. Introduced 1967, Basically an more economical LG-0. Martin introduced their versions of acoustic-electrics: the D-18E in 1958 and D-28E in 1959. The tradition had been Bug style mandolins: bowl-backs with flat or bent tops. Identification: "A" Style mandolins were symmetrical and shaped like a teardrop. Larger top braces used, and bigger solid wood bridge plate and larger bottom-belly bridge. I am the third owner, the previous owner researched it and, based on the serial number, headstock design and inlays declares it to be a 1976 Gibson RB 250 MASTERTONE model with the 20 hole metal tone ring. The only available finish was sunburst until 1954. They did provide paper labels for the instrument that they represented but did not provide labels for custom instruments or other shops or manufacturers. 1921 early: 3/8 adjustment wheels, short base and aluminum compensated bridge top. The story of how Greg Deering came to own the over 130 year old Vega trademark is one of childhood dreams and an unmissable opportunity. The Advanced Jumbo has been described by some as the finest no compromises most powerful flat-top guitar Gibson ever designed and built. By 1941, either natural or sunburst were available. I'm leaning more in that direction. Starting in 1977, Gibson adopted the current date-based serial system which codes for the year and day of production. Rettberg & Lange (1898-1920) banjos were initially similar to Buckbee-made The banner only a Gibson is good enough logo is replaced with the old style Gibson script gold logo, The blond J-50 is introduced (limited until 1954), Bracing system changed: non-scalloped, low cut braces, Larger pickguard with point at upper bout, Headstock appointments: pearl logo inlay and crown added, Adjustable bridge saddle offered as an option called J-45ADJ. They had owner applied pick guards and multi-bound backs and tops (including red line highlights). Some early necks were cherry before 1912. It had a double ring of purfling around the soundhole, pearl dots on the fretboard, dark stained birch back and sides and The Gibson stamped on tailpiece cover. Sounds great and the instrument is very easy to play. Prices were typically 30-40% more than other Gibson solid bodies; the Les Paul Recording, LP Custom and SG Custom. All Rights Reserved. The name variations included Bacon and Day and B&D for all the instruments co-developed by Fred Bacon and David Day. Angled (Tilted-Back) Headstock. Kluson tuners no longer had circle stamp (exposed gears riveted instead of screwed in place) and shaft size of 7/32 to save wartime metal. I own the book and have found it to be an invaluable resource in identifying these old guitars. The choice to discontinue the Mark Series had to do with the general turmoil of the Gibson company in the last years of ownership by Norlin. The back and sides were Brazilian rosewood and the tops Adirondack red spruce. Information gathered from many sources but there are a few that need to be acknowledged: Dan Beimborns original Mandolin Pages web site and later contributions to the Mandolin Archive. Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. The Lyon & Healy peghead shape used on most of A Style mandolins were symmetrical and shaped like a teardrop. A simpler variation on the SJ-200 with fewer appointments and a lower price tag was the SJ-100. gibson one-of-a-kind Christmas banjos! AMF ceased production of LoPrinzi guitars. The appointments matched the MK-35 but the bracing was modified to accommodate the additional string tension of 12 strings. The exceptions were in 1979/1980 when the very fine Flying VII and active Les Paul Artist models were available; both were between $50 and $100 more, and were deleted almost as quickly as they dbuted. They were too late Gibson owned the market and the Martins were dropped 6 years later having only sold about 540 combined. They could be strung with steel or nylon strings. banjos. LoPrinzi Guitars most from Plainsboro New Jersey. In the early years, due to the depression and the following wartime austerity, demand for this expensive instrument was limited and production quantities were small. Hard-stamped serial numbers. ARIA 921C. A New Leaf from Steven Moore. Number on headstock, Open Back, Pink OHC liner, Klusons with white plastic buttons, bound f/b: I/N Auction 8/2007 : 1962 : 88909: RB-180 . Please note this is an archived topic, so it is locked and unable to be replied to. Jul 15, 2021 - A study of banjo head peg heads. Ironically the first blond J-45s were actually built in July of 1942 (Called the J-45N for Natural) and the actual number of these shipped is not known for sure. Known Problems with Gretschs Serial Number System: Due to the various renumbering schemes, there are Gretsch-built Bacons and B&Ds with 3 digit, 4 digit and 5 digit serial numbers, which confuses identification of instruments made between 1910 and 1940. In some cases there are no pickguards. 1970 onward: 1 piece maple. and many were left unmarked. 1968: Changed to a bottom belly bridge and 1960 style pickguard, 1969: Changed to a square shoulder dreadnaught, Original version: solid mahogany back but laminated mahogany sides, 1 piece mahogany neck & 17 degree headstock angle, Bound Brazilian fretboard with trapezoid inlayed markers, Individual Kluson tuners with white buttons later: keystone Pearloid buttons, P-90 single coil pickup with adjustable pole pieces. In 1947 the name changed to the J-200 and the standard back and sides became highly figured maple. If you count the plies in the rim it is about 12 or 13 which is what I have seen in a lot of Asian banjos. Width at nut 1 11/16, scale 24 3/4. It was bound on the top, back, sides and around the fretboard. The FON is the only identification number on Gibson's lower grade models (like the ES-125, ES-140, J-160E, etc.) Introduced 1954, discontinued in 1978, reintroduced in the 1980s and still produced today. Made in USA. F Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. He lived in Illinois all his life. Thinner cog gears with no bevel on the edge of the cogs. They are available for binding that is .060 and .090 binding. 118 Midtown Ct # M This is a high-quality instrument. The soundhole had an additional thick white purfling ring. Saga. They were well suited for orchestral arrangements as well as individual play and accompaniment. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. >I see no collectors market for banjos like yours.<. The Maurer Company records have been lost. It became apparent early that the new design concept was good: they were, in fact, louder and more cutting in tone. This information is approximate and has not been verified by the LoPrinzi family. 519,409 In 1894, he patented this wild banjo with a neck that folds in on itself at the 10th fret in order to facilitate transportation. I have to say that it is most interesting. Our 19th Year * Sign Up Now The headstock had a black wood face veneer. These can exist on any model numbers including the A-jr. Check out our banjo decal selection for the very best in unique or custom, handmade pieces from our bumper stickers shops. How did you come to own it? Larger 2.25 wide by .140 laminated maple bridge plates replace 1 7/16 x .125 solid maple bridge plates, Change the body shape to square shoulder dreadnaughts, Injection molded .075 thick styrene pickguard replaces the older .025 thick celluloid pickguard, Plastic bolt-on bridge replaces the rosewood bridge, White pickguard with Gibson logo screwed down to the top. I like it. The headstock face was veneered in black. Body designations and style designations of Martin guitars are letter-number combinations separated by a hyphen. Grupo Musical. Rated 5.00 out of 5. The following are believed to be accurate known numbers: The following serial numbers are approximate at best. Schall hardware is pretty unique and the fifth A maple, prewar style bluegrass banjo made like the classic banjos of the 1930's with the same materials and the same weight, design and features, the Golden Era is one of our most popular banjos for traditional bluegrass bands.